 #div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_246"#TEXT 246#/span##/h4#
#div class="verse"#
#dl##dd#kṛṣṇe nāmāviṣṭa-manā sadā haridāsa#/dd#
#dd#araṇye rodita haila strī-bhāva-prakāśa#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
kṛṣṇe—unto Lord Kṛṣṇa; nāma-āviṣṭa—absorbed in chanting the holy name; manā—mind; sadā—always; haridāsa—Haridāsa Ṭhākura; araṇye—in the wilderness; rodita—crying; haila—became; strī-bhāva-prakāśa—exhibition of feminine postures.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.
#/div#
#/div# |
#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_246"#TEXT 246#/span##/h4#
#div class="verse"#
#dl##dd#kṛṣṇe nāmāviṣṭa-manā sadā haridāsa#/dd#
#dd#araṇye rodita haila strī-bhāva-prakāśa#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kṛṣṇe&tab=syno_o&ds=1"#kṛṣṇe#/i# — unto Lord Kṛṣṇa; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nāma&tab=syno_o&ds=1"#nāma-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=āviṣṭa&tab=syno_o&ds=1"#āviṣṭa#/i# — absorbed in chanting the holy name; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=manā&tab=syno_o&ds=1"#manā#/i# — mind; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sadā&tab=syno_o&ds=1"#sadā#/i# — always; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=haridāsa&tab=syno_o&ds=1"#haridāsa#/i# — Haridāsa Ṭhākura; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=araṇye&tab=syno_o&ds=1"#araṇye#/i# — in the wilderness; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=rodita&tab=syno_o&ds=1"#rodita#/i# — crying; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=haila&tab=syno_o&ds=1"#haila#/i# — became; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=strī&tab=syno_o&ds=1"#strī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhāva&tab=syno_o&ds=1"#bhāva-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=prakāśa&tab=syno_o&ds=1"#prakāśa#/i# — exhibition of feminine postures.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
Haridāsa Ṭhākura was always absorbed in thoughts of Kṛṣṇa and the holy name of Kṛṣṇa. Therefore the feminine poses the woman exhibited were just like crying in the forest.
#/div#
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