 #div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_35"#TEXT 35#/span##/h4#
#div class="verse"#
#dl##dd#vṛndāvane nāṭakera ārambha karilā#/dd#
#dd#maṅgalācaraṇa 'nāndī-śloka' tathāi likhilā#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
vṛndāvane—at Vṛndāvana; nāṭakera—of the drama; ārambha—the beginning; karilā—wrote; maṅgalācaraṇa—invoking auspiciousness; nāndī-śloka—introductory verse; tathāi—there; likhilā—he wrote.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
In Vṛndāvana, Rūpa Gosvāmī began to write a drama. In particuIar, he composed the introductory verses to invoke good fortune.
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes his notes from the Nāṭaka-candrikā, wherein he has written:
#dl##dd#prastāvanāyās tu mukhe#/dd#
#dd#nāndī kāryāśubhāvahā#/dd##/dl#
āśīr-namaskriyā-vastu-
nirdeśānyatamānvitā
#dl##dd#aṣṭābhir daśabhir yuktā#/dd#
#dd#kiṁvā dvādaśabhiḥ padaiḥ#/dd#
#dd#candranāmāṅkitā prāyo#/dd##/dl#
maṅgalārtha-padojjvalā
#dl##dd#maṅgalaṁ cakra-kamala-#/dd##/dl#
cakora-kumudādikam
#$p#Similarly, in the Sixth Chapter of the Sāhitya-darpaṇa, text 282, he has said:
#$p#āśīr-vacana-saṁyuktā
#dl##dd#stutir yasmāt prayujyate#/dd##/dl#
deva-dvija-nṛ-pādīnāṁ
#dl##dd#tasmān nāndīti saṁjñitā#/dd##/dl#
The introductory portion of a drama, which is written to invoke good fortune, is called nāndī-śloka.
#/div#
#/div# |
#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_35"#TEXT 35#/span##/h4#
#div class="verse"#
#dl##dd#vṛndāvane nāṭakera ārambha karilā#/dd#
#dd#maṅgalācaraṇa ‘nāndī-śloka’ tathāi likhilā#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vṛndāvane&tab=syno_o&ds=1"#vṛndāvane#/i# — at Vṛndāvana; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nāṭakera&tab=syno_o&ds=1"#nāṭakera#/i# — of the drama; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ārambha&tab=syno_o&ds=1"#ārambha#/i# — the beginning; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=karilā&tab=syno_o&ds=1"#karilā#/i# — wrote; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=maṅgalācaraṇa&tab=syno_o&ds=1"#maṅgalācaraṇa#/i# — invoking auspiciousness; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nāndī&tab=syno_o&ds=1"#nāndī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=śloka&tab=syno_o&ds=1"#śloka#/i# — introductory verse; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tathāi&tab=syno_o&ds=1"#tathāi#/i# — there; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=likhilā&tab=syno_o&ds=1"#likhilā#/i# — he wrote.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
In Vṛndāvana, Rūpa Gosvāmī began to write a drama. In particular, he composed the introductory verses to invoke good fortune.
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes from the #i#Nāṭaka-candrikā#/i#, wherein it is written:
#dl##dd##i#prastāvanāyās tu mukhe nāndī kāryā śubhāvahā#/i##/dd#
#dd##i#āśīr-namaskriyā-vastu-nirdeśānyatamānvitā#/i##/dd#
#dd##i#aṣṭābhir daśabhir yuktā kiṁ vā dvādaśabhiḥ padaiḥ#/i##/dd#
#dd##i#candra-nāmāṅkitā prāyo maṅgalārtha-padojjvalā#/i##/dd#
#dd##i#maṅgalaṁ cakra-kamala-cakora-kumudādikam#/i##/dd##/dl#
Similarly, in the Sixth Chapter of the #i#Sāhitya-darpaṇa#/i#, text 282, it is said:
#dl##dd##i#āśīr-vacana-saṁyuktā stutir yasmāt prayujyate#/i##/dd#
#dd##i#deva-dvija-nṛ-pādīnāṁ tasmān nāndīti saṁjñitā#/i##/dd##/dl#
The introductory portion of a drama, which is written to invoke good fortune, is called #i#nāndī-śloka#/i#.
#/div#
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