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#dl##dd#rādhā-saha krīḍā rasa-vṛddhira kāraṇa#/dd#
#dd#āra saba gopī-gaṇa rasopakaraṇa#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
rādhā-saha—with Śrīmatī Rādhārāṇī; krīḍā—pastimes; rasa—of mellow; vṛddhira—of the increase; kāraṇa—the cause; āra—the other; saba—all; gopī-gaṇa—gopīs; rasa-upakaraṇa—accessories of mellow.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
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All the other gopīs help increase the joy of Kṛṣṇa's pastimes with Rādhārāṇī. The gopīs act as the instruments of Their mutual enjoyment.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
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It is said that the gopīs are divided into five groups, namely the sakhīs, nitya-sakhīs, prāṇa-sakhīs, priya-sakhīs and parama-preṣṭha-sakhīs. All these fair-complexioned associates of Śrīmatī Rādhārāṇī, the Queen of Vṛndāvana-dhāma, are expert artists in evoking erotic sentiments in Kṛṣṇa. The parama-preṣṭha-sakhīs are eight in number, and in the ecstatic dealings of Kṛṣṇa and Rādhā they side sometimes with Kṛṣṇa and at other times with Rādhārāṇī, just to create a situation in which it appears that they favor one against the other. That makes the exchange of mellows more palatable.
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#h4##span class="mw-headline" id="TEXT_217"#TEXT 217#/span##/h4#
#div class="verse"#
#dl##dd#rādhā-saha krīḍā rasa-vṛddhira kāraṇa#/dd#
#dd#āra saba gopī-gaṇa rasopakaraṇa#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=rādhā&tab=syno_o&ds=1"#rādhā-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=saha&tab=syno_o&ds=1"#saha#/i# — with Śrīmatī Rādhārāṇī; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=krīḍā&tab=syno_o&ds=1"#krīḍā#/i# — pastimes; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=rasa&tab=syno_o&ds=1"#rasa#/i# — of mellow; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vṛddhira&tab=syno_o&ds=1"#vṛddhira#/i# — of the increase; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kāraṇa&tab=syno_o&ds=1"#kāraṇa#/i# — the cause; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=āra&tab=syno_o&ds=1"#āra#/i# — the other; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=saba&tab=syno_o&ds=1"#saba#/i# — all; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gopī&tab=syno_o&ds=1"#gopī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gaṇa&tab=syno_o&ds=1"#gaṇa#/i# — #i#gopīs#/i#; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=rasa&tab=syno_o&ds=1"#rasa-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=upakaraṇa&tab=syno_o&ds=1"#upakaraṇa#/i# — accessories of mellow.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
All the other gopīs help increase the joy of Kṛṣṇa’s pastimes with Rādhārāṇī. The gopīs act as the instruments of Their mutual enjoyment.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
It is said that the #i#gopīs#/i# are divided into five groups, namely the #i#sakhīs#/i#, #i#nitya-sakhīs#/i#, #i#prāṇa-sakhīs#/i#, #i#priya-sakhīs#/i# and #i#parama-preṣṭha-sakhīs#/i#. All these fair-complexioned associates of Śrīmatī Rādhārāṇī, the Queen of #i#Vṛndāvana-dhāma#/i#, are expert artists in evoking erotic sentiments in Kṛṣṇa. The #i#parama-preṣṭha-sakhīs#/i# are eight in number, and in the ecstatic dealings of Kṛṣṇa and Rādhā they side sometimes with Kṛṣṇa and at other times with Rādhārāṇī, just to create a situation in which it appears that they favor one against the other. That makes the exchange of mellows more palatable.
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