Vanisource
Find
*Search Vanipedia
Menu

*Main Page
*About Vanisource
*Help & tutorials
*Contact us
*Donations
*Vaniseva

All petals

*Vanipedia
*Vanisource
*Vaniquotes
*Vanibooks
*Vaniversity
*Vanictionary
*Vanimedia

Vanisource Version Compare
Share this page on the web

please wait Please wait as we are generating your Version Compare...


 Compare previous verse  |  Compare next verse        See the BBT's reasons for these revisions

CC Adi 10.13 (1975)

CC Adi 10.13 (1996)

please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_13"#TEXT 13#/span##/h4# #div class="verse"# #dl##dd#ācāryaratnera nāma 'śrī-candraśekhara'--#/dd# #dd#yāṅra ghare devī-bhāve nācilā īśvara#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# ācāryaratnera—of Ācāryaratna; nāma—name; śrī-candraśekhara—of the name Śrī Candraśekhara; yāṅra—of whom; ghare—in the home; devī-bhāve—as the goddess; nācilā—danced; īśvara—Śrī Caitanya Mahāprabhu. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# Ācāryaratna was also named Śrī Candraśekhara Ācārya. In a drama in his house, Lord Caitanya played the goddess of fortune. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# Dramatic performances were also enacted during the presence of Śrī Caitanya Mahāprabhu, but the players who took part in such dramas were all pure devotees; no outsiders were allowed. The members of ISKCON should follow this example. Whenever they stage dramatic performances about the lives of Śrī Caitanya Mahāprabhu or Lord Kṛṣṇa, the players must be pure devotees. Professional players and dramatic actors have no sense of devotional service, and therefore although they can perform very artistically, there is no life in such performances. Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura used to refer to such an actor as yātrā-dale nārada, which means "farcical Nārada." Sometimes an actor in a drama plays the part of Nārada Muni, although in his private life he is not at all like Nārada Muni because he is not a devotee. Such actors are not needed in dramatic performances about the lives of Śrī Caitanya Mahāprabhu and Lord Kṛṣṇa. #dl##dd#Śrī Caitanya Mahāprabhu used to perform dramas with Advaita Prabhu, Śrīvāsa Ṭhākura and other devotees in the house of Candraśekhara. The place where Candraśekhara's house was situated is now known as Vrajapattana. Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura established a branch of his Śrī Caitanya Maṭha at this place. When Śrī Caitanya Mahāprabhu decided to accept the renounced order of life, Candraśekhara Ācārya was informed of this by Śrī Nityānanda Prabhu, and therefore he was also present when Lord Caitanya accepted sannyāsa from Keśava Bhāratī in Katwa. It is he who first spread the word in Navadvīpa of Lord Caitanya's accepting sannyāsa. Śrī Candraśekhara Ācārya was present during many important incidents in the pastimes of Lord Caitanya Mahāprabhu. He therefore forms the second branch of the tree of Lord Caitanya.#/dd##/dl# #/div# #/div# please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_13"#TEXT 13#/span##/h4# #div class="verse"# #dl##dd#ācāryaratnera nāma ‘śrī-candraśekhara’—#/dd# #dd#yāṅra ghare devī-bhāve nācilā īśvara#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ācāryaratnera&tab=syno_o&ds=1"#ācāryaratnera#/i# — of Ācāryaratna; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nāma&tab=syno_o&ds=1"#nāma#/i# — name; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=śrī&tab=syno_o&ds=1"#śrī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=candraśekhara&tab=syno_o&ds=1"#candraśekhara#/i# — Śrī Candraśekhara; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=yāṅra&tab=syno_o&ds=1"#yāṅra#/i# — of whom; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ghare&tab=syno_o&ds=1"#ghare#/i# — in the home; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=devī&tab=syno_o&ds=1"#devī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhāve&tab=syno_o&ds=1"#bhāve#/i# — as the goddess; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nācilā&tab=syno_o&ds=1"#nācilā#/i# — danced; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=īśvara&tab=syno_o&ds=1"#īśvara#/i# — Śrī Caitanya Mahāprabhu. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# Ācāryaratna was also named Śrī Candraśekhara Ācārya. In a drama in his house, Lord Caitanya played the goddess of fortune. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# Dramatic performances were enacted during the presence of Śrī Caitanya Mahāprabhu, but the players who took part in such dramas were all pure devotees; no outsiders were allowed. The members of ISKCON should follow this example. Whenever they stage dramatic performances about the lives of Śrī Caitanya Mahāprabhu or Lord Kṛṣṇa, the players must be pure devotees. Professional players and dramatic actors have no sense of devotional service, and therefore although they can perform very artistically, there is no life in such performances. Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura used to refer to such an actor as #i#yātrā-dale nārada#/i#, which means “farcical Nārada.” Sometimes an actor in a drama plays the part of Nārada Muni, although in his private life he is not at all like Nārada Muni because he is not a devotee. Such actors are not needed in dramatic performances about the lives of Śrī Caitanya Mahāprabhu and Lord Kṛṣṇa. #$p#Śrī Caitanya Mahāprabhu used to perform dramas with Advaita Prabhu, Śrīvāsa Ṭhākura and other devotees in the house of Candraśekhara. The place where Candraśekhara’s house was situated is now known as Vrajapattana. Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura established a branch of his Śrī Caitanya Maṭha at this place. When Śrī Caitanya Mahāprabhu decided to accept the renounced order of life, Candraśekhara Ācārya was informed of this by Śrī Nityānanda Prabhu, and therefore he was present when Lord Caitanya accepted #i#sannyāsa#/i# from Keśava Bhāratī in Katwa. It is he who first spread the word in Navadvīpa of Lord Caitanya’s accepting #i#sannyāsa#/i#. Śrī Candraśekhara Ācārya was present during many important incidents in the pastimes of Lord Caitanya Mahāprabhu. He therefore forms the second branch of the tree of Lord Caitanya. #/div# #/div#
 Compare previous verse  |  Compare next verse       

hare kṛṣṇa hare kṛṣṇa - kṛṣṇa kṛṣṇa hare hare - hare rāma hare rāma - rāma rāma hare hare

Copyright - About Vanisource