Go to Vaniquotes | Go to Vanipedia | Go to Vanimedia


Vanisource - the complete essence of Vedic knowledge


CC Madhya 11.1 (1975): Difference between revisions

(Created page with "C001 <div style="float:left">'''Śrī Caitanya-caritāmṛta (1975) - [...")
 
(Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature)
 
Line 2: Line 2:
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 11 (1975)|Chapter 11: The Beḍā-kīrtana Pastimes of Śrī Caitanya Mahāprabhu]]'''</div>
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 11 (1975)|Chapter 11: The Beḍā-kīrtana Pastimes of Śrī Caitanya Mahāprabhu]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 11 (1975) Summary|Chapter 11 Summary]] '''[[CC Madhya 11 (1975) Summary|Chapter 11 Summary]] - [[CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]''' [[File:Go-next.png|link=CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]</div>
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 11 (1975) Summary|Chapter 11 Summary]] '''[[CC Madhya 11 (1975) Summary|Chapter 11 Summary]] - [[CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]''' [[File:Go-next.png|link=CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]</div>
{{CompareVersions|CC|Madhya 11.1|CC 1975|CC 1996}}
{{RandomImage}}
{{RandomImage}}




<!-- delete from here BEGINNING COMING SOON NOTICE -->
==== TEXT 1 ====


<div class="verse">
:aty-uddaṇḍaṁ tāṇḍavaṁ gauracandraḥ
:kurvan bhaktaiḥ śrī-jagannātha-gehe
:nānā-bhāvālaṅkṛtāṅgaḥ sva-dhāmnā
:cakre viśvaṁ prema-vanyā-nimagnam
</div>


<div class="center">'''Śrī Caitanya-caritāmṛta 1975 edition will be'''<br /><span style="font-size:150%; color:red;">'''COMING SOON'''</span></div>


==== SYNONYMS ====


<!-- delete to here END COMING SOON NOTICE -->
<div class="synonyms">
ati—very much; uddaṇḍam—high jumping; tāṇḍavam—very graceful dancing; gaura-candraḥ—Lord Śrī Caitanya Mahāprabhu; kurvan—performing; bhaktaiḥ—with the devotees; śrī-jagannātha-gehe—in the temple of Lord Jagannātha; nānā-bhāva-alaṅkṛta-aṅgaḥ—having many ecstatic symptoms manifested in His transcendental body; sva-dhāmnā—by the influence of His ecstatic love; cakre—made; viśvam—the whole world; prema-vanyā-nimagnam—merged into the inundation of ecstatic love.
</div>
 
 
==== TRANSLATION ====
 
<div class="translation">
Śrī Caitanya Mahāprabhu merged the entire world into the ocean of ecstatic love by performing His beautiful dances within the temple of Jagannātha. He danced exquisitely and jumped high.
</div>




<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Madhya 11 (1975) Summary|Chapter 11 Summary]] '''[[CC Madhya 11 (1975) Summary|Chapter 11 Summary]] - [[CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]''' [[File:Go-next.png|link=CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]</div>
<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Madhya 11 (1975) Summary|Chapter 11 Summary]] '''[[CC Madhya 11 (1975) Summary|Chapter 11 Summary]] - [[CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]''' [[File:Go-next.png|link=CC Madhya 11.2 (1975)|Madhya-līlā 11.2]]</div>
__NOTOC__
__NOEDITSECTION__
__NOEDITSECTION__

Latest revision as of 06:28, 27 January 2020



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 1

aty-uddaṇḍaṁ tāṇḍavaṁ gauracandraḥ
kurvan bhaktaiḥ śrī-jagannātha-gehe
nānā-bhāvālaṅkṛtāṅgaḥ sva-dhāmnā
cakre viśvaṁ prema-vanyā-nimagnam


SYNONYMS

ati—very much; uddaṇḍam—high jumping; tāṇḍavam—very graceful dancing; gaura-candraḥ—Lord Śrī Caitanya Mahāprabhu; kurvan—performing; bhaktaiḥ—with the devotees; śrī-jagannātha-gehe—in the temple of Lord Jagannātha; nānā-bhāva-alaṅkṛta-aṅgaḥ—having many ecstatic symptoms manifested in His transcendental body; sva-dhāmnā—by the influence of His ecstatic love; cakre—made; viśvam—the whole world; prema-vanyā-nimagnam—merged into the inundation of ecstatic love.


TRANSLATION

Śrī Caitanya Mahāprabhu merged the entire world into the ocean of ecstatic love by performing His beautiful dances within the temple of Jagannātha. He danced exquisitely and jumped high.