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SB 1.7.20 (1964)

SB 1.7.20 (1972-77)

please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_No._20"#TEXT No. 20#/span##/h4# #div class="SB65verse"# Atha upasprisya salilam sandadhe tat samahitah Ajanann ati samharam pranakrichhra upasthite. #/div# #h4##span class="mw-headline" id="ENGLISH_SYNONYMS"#ENGLISH SYNONYMS#/span##/h4# #div class="synonyms"# Atha—thus, Apasprispya—touching in sanctity, Salilam—water, Sandadhe—chanted the hymns, Tat—that, Samahitam—being in concentration, Ajaanan—without knowing, Api—although, Samaharam—withdrawal, Pranakrichhra—life being put into danger, Upastithite—being placed in such position. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# Although it was not known to him how to withdraw the nuclear weapon still his life being placed in danger he touched water in sanctity and concentrated upon the chanting of the hymn for throwing the nuclear weapon. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# Subtle form of material activities is finer than the grosser method of material manipulation. Such subtle form of material activities are effected through purification of sound. The same method is adopted here in the matter of chanting hymns to act as a nuclear weapon. #/div# #/div# please wait#div class="mw-parser-output"##p class="mw-empty-elt"# #h4##span class="mw-headline" id="TEXT_20"#TEXT 20#/span##/h4# #div class="verse"# #dl##dd#athopaspṛśya salilaṁ#/dd# #dd#sandadhe tat samāhitaḥ#/dd# #dd#ajānann api saṁhāraṁ#/dd# #dd#prāṇa-kṛcchra upasthite#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=atha&tab=syno_o&ds=1"#atha#/i# — thus; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=upaspṛśya&tab=syno_o&ds=1"#upaspṛśya#/i# — touching in sanctity; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=salilam&tab=syno_o&ds=1"#salilam#/i# — water; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sandadhe&tab=syno_o&ds=1"#sandadhe#/i# — chanted the hymns; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tat&tab=syno_o&ds=1"#tat#/i# — that; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=samāhitaḥ&tab=syno_o&ds=1"#samāhitaḥ#/i# — being in concentration; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ajānan&tab=syno_o&ds=1"#ajānan#/i# — without knowing; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=api&tab=syno_o&ds=1"#api#/i# — although; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=saṁhāram&tab=syno_o&ds=1"#saṁhāram#/i# — withdrawal; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=prāṇa&tab=syno_o&ds=1"#prāṇa-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kṛcchre&tab=syno_o&ds=1"#kṛcchre#/i# — life being put in danger; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=upasthite&tab=syno_o&ds=1"#upasthite#/i# — being placed in such a position. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# Since his life was in danger, he touched water in sanctity and concentrated upon the chanting of the hymns for throwing nuclear weapons, although he did not know how to withdraw such weapons. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# The subtle forms of material activities are finer than grosser methods of material manipulation. Such subtle forms of material activities are effected through purification of sound. The same method is adopted here by chanting hymns to act as nuclear weapons. #/div# #/div#
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hare kṛṣṇa hare kṛṣṇa - kṛṣṇa kṛṣṇa hare hare - hare rāma hare rāma - rāma rāma hare hare

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