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#h4##span class="mw-headline" id="TEXT_No._32"#TEXT No. 32#/span##/h4#
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Deva duttam imam vinam swara brahman bihbushitam
Murchhayitwa harikatham gayamanas charami aham
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#h4##span class="mw-headline" id="ENGLISH_SYNONYMS"#ENGLISH SYNONYMS#/span##/h4#
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Deva—the Supreme Personality of Godhead (Sri Krishna) Duttam—gifted by, Imam—this, Vinam—a musical instrument of string, Swara—singing meter, Brahman—transcendental, Bibhusitam—decorated with, murchhayitwa—vibrating Harikatha—transcendental message, Gayamana—singing constantly, Charami—do move, Aham—I.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
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I do travel as above mentioned by constantly singing the glories of the Lord in transcendental message by vibrating this instrument of Vina charged with transcendental sound and given to Me by Lord Krishna.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
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The musical instrument of string called Vina which was handed over to Narada by Lord Sri Krishna is described in the Linga Puranam as confirmed by Srila Jiva Goswami. This transcendental instrument is identical with Lord Sri Krishna and also Narada because all of them are of the same transcendental category. Sound vibrated by the instrument cannot be anything material and therefore the glories and pastimes which are broadcast by the instrument of Narada are also transcendental without any tinge of material inebriety. The seven singing meter namely Sa (Swaraj) Ri (Rishava) Ga (Gandhar) Ma (Madhyam) Pa (Panchama) Dha (Dhaivata) Ni (Nishada) are also transcendental and specifically meant for being utilised in the matter of transcendental songs. As a pure-devotee of the Lord Srila Narada Deva is always fulfilling His obligation unto the Lord for His gift of the instrument and thus He is always engaged in singing His transcendental glories and is therefore infallible from his exhalted position. Following the foot prints of Srila Narada Muni a self realised soul in the material World also do properly use the sound meters namely Sa, Ri, Ga, Ma, etc. in the service of the Lord by constantly singing the glories of the Lord as it is confirmed in the Bhagwat Geeta. The Mohatmas have no other business in life save and except singing the transcendental Glories of the Lord following the foot prints of Srila Narada Deva.
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#h4##span class="mw-headline" id="TEXT_32"#TEXT 32#/span##/h4#
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#dl##dd#deva-dattām imāṁ vīṇāṁ#/dd#
#dd#svara-brahma-vibhūṣitām#/dd#
#dd#mūrcchayitvā hari-kathāṁ#/dd#
#dd#gāyamānaś carāmy aham#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
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#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=deva&tab=syno_o&ds=1"#deva#/i# — the Supreme Personality of Godhead (Śrī Kṛṣṇa); #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=dattām&tab=syno_o&ds=1"#dattām#/i# — gifted by; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=imām&tab=syno_o&ds=1"#imām#/i# — this; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vīṇām&tab=syno_o&ds=1"#vīṇām#/i# — a musical stringed instrument; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=svara&tab=syno_o&ds=1"#svara#/i# — singing meter; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=brahma&tab=syno_o&ds=1"#brahma#/i# — transcendental; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vibhūṣitām&tab=syno_o&ds=1"#vibhūṣitām#/i# — decorated with; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mūrcchayitvā&tab=syno_o&ds=1"#mūrcchayitvā#/i# — vibrating; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=hari&tab=syno_o&ds=1"#hari-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kathām&tab=syno_o&ds=1"#kathām#/i# — transcendental message; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gāyamānaḥ&tab=syno_o&ds=1"#gāyamānaḥ#/i# — singing constantly; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=carāmi&tab=syno_o&ds=1"#carāmi#/i# — do move; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=aham&tab=syno_o&ds=1"#aham#/i# — I.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
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And thus I travel, constantly singing the transcendental message of the glories of the Lord, vibrating this instrument called a vīṇā, which is charged with transcendental sound and which was given to me by Lord Kṛṣṇa.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
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The musical stringed instrument called the #i#vīṇā#/i#, which was handed to Nārada by Lord Śrī Kṛṣṇa, is described in the #i#Liṅga Purāṇa#/i#, and this is confirmed by Śrīla Jīva Gosvāmī. This transcendental instrument is identical with Lord Śrī Kṛṣṇa and Nārada because all of them are of the same transcendental category. Sound vibrated by the instrument cannot be material, and therefore the glories and pastimes which are broadcast by the instrument of Nārada are also transcendental, without a tinge of material inebriety. The seven singing meters, namely #i#ṣa#/i# (#i#ṣaḍja#/i#), #i#ṛ#/i# (#i#ṛṣabha#/i#), #i#gā#/i# (#i#gāndhāra#/i#), #i#ma#/i# (#i#madhyama#/i#), #i#pa#/i# (#i#pañcama#/i#), #i#dha#/i# (#i#dhaivata#/i#) and #i#ni#/i# (#i#niṣāda#/i#), are also transcendental and specifically meant for transcendental songs. As a pure devotee of the Lord, Śrī Nāradadeva is always fulfilling his obligation to the Lord for His gift of the instrument, and thus he is always engaged in singing His transcendental glories and is therefore infallible in his exalted position. Following in the footsteps of Śrīla Nārada Muni, a self-realized soul in the material world should also properly use the sound meters, namely #i#ṣa#/i#, #i#ṛ#/i#, #i#gā#/i#, #i#mā#/i#, etc., in the service of the Lord by constantly singing the glories of the Lord, as confirmed in the #i#Bhagavad-gītā#/i#.
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