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SB 1.17.29 (1965)

SB 1.17.29 (1972-77)

please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_No._29"#TEXT No. 29#/span##/h4# #div class="SB65verse"# Tam jighamsum abhipretya vihaya nripalanchham Tatpadamulam sirasa samagad bhayabihvalah. #/div# #h4##span class="mw-headline" id="ENGLISH_SYNONYMS"#ENGLISH SYNONYMS#/span##/h4# #div class="synonyms"# Tam—him, Jighamsum—willing to kill, Abhipretya—knowing it well, Vihaya—leaving aside, Nripalanchhanam—the dress of a king, Tatpadamulam—underneath his feet, Sirasa—by the head, Samagad—fully surrendered, Bhayavihvalah—under pressure of fearfulness. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# When the personality of Kali understood it that the king was willing to kill him, he at once gave up the dress of a king and under pressure of fearfulness completely surrendered unto him by his head. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# The royal dress of the personality of Kali is artificial. The royal dress is suitable for king or Kshatriya but when a lower class man artificially dresses himself as a king his real identity is disclosed by the challenge of a bonafide Kshatriya like Maharaj Parikshit. A real Kshatriya never surrenders. He accepts the challenge of his rival Kshatriya and he fights either to die or to win. Surrender is unknown to a real Kshatriya. In the age of kali there are so many pretenders dressed and posed like an administrator or executive head but their real identity is disclosed when they are challenged by a real Kshatriya. Therefore when the artificially dressed personality of Kali saw it that to fight with Maharaj Parikshit was beyond his capacity he bowed down his head like a subordinate and gave up his royal dress. #/div# #/div# please wait#div class="mw-parser-output"##p class="mw-empty-elt"# #h4##span class="mw-headline" id="TEXT_29"#TEXT 29#/span##/h4# #div class="verse"# #dl##dd#taṁ jighāṁsum abhipretya#/dd# #dd#vihāya nṛpa-lāñchanam#/dd# #dd#tat-pāda-mūlaṁ śirasā#/dd# #dd#samagād bhaya-vihvalaḥ#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tam&tab=syno_o&ds=1"#tam#/i# — him; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=jighāṁsum&tab=syno_o&ds=1"#jighāṁsum#/i# — willing to kill; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=abhipretya&tab=syno_o&ds=1"#abhipretya#/i# — knowing it well; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vihāya&tab=syno_o&ds=1"#vihāya#/i# — leaving aside; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nṛpa&tab=syno_o&ds=1"#nṛpa-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=lāñchanam&tab=syno_o&ds=1"#lāñchanam#/i# — the dress of a king; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tat&tab=syno_o&ds=1"#tat-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=pāda&tab=syno_o&ds=1"#pāda-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mūlam&tab=syno_o&ds=1"#mūlam#/i# — at his feet; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=śirasā&tab=syno_o&ds=1"#śirasā#/i# — by the head; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=samagāt&tab=syno_o&ds=1"#samagāt#/i# — fully surrendered; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhaya&tab=syno_o&ds=1"#bhaya-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vihvalaḥ&tab=syno_o&ds=1"#vihvalaḥ#/i# — under pressure of fearfulness. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# When the personality of Kali understood that the King was willing to kill him, he at once abandoned the dress of a king and, under pressure of fear, completely surrendered to him, bowing his head. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# The royal dress of the personality of Kali is artificial. The royal dress is suitable for a king or #i#kṣatriya#/i#, but when a lower-class man artificially dresses himself as a king, his real identity is disclosed by the challenge of a bona fide #i#kṣatriya#/i# like Mahārāja Parīkṣit. A real #i#kṣatriya#/i# never surrenders. He accepts the challenge of his rival #i#kṣatriya#/i#, and he fights either to die or to win. Surrender is unknown to a real #i#kṣatriya#/i#. In the age of Kali there are so many pretenders dressed and posed like administrators or executive heads, but their real identity is disclosed when they are challenged by a real #i#kṣatriya#/i#. Therefore when the artificially dressed personality of Kali saw that to fight Mahārāja Parīkṣit was beyond his ability, he bowed down his head like a subordinate and gave up his royal dress. #/div# #/div#
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hare kṛṣṇa hare kṛṣṇa - kṛṣṇa kṛṣṇa hare hare - hare rāma hare rāma - rāma rāma hare hare

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