 #div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_155"#TEXT 155#/span##/h4#
#div class="verse"#
#dl##dd#gopīnātha-caraṇe kaila bahu namaskāra#/dd#
#dd#premāveśe nṛtya-gīta karilā apāra#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
gopīnātha-caraṇe—at the lotus feet of Lord Gopīnātha; kaila—made; bahu—many; namaskāra—obeisances; prema-āveśe—in the ecstasy of love; nṛtya-gīta—dancing and chanting; karilā—performed; apāra—unlimitedly.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
When Mādhavendra Purī reached the temple of Gopīnātha, he offered his respectful obeisances many times at the lotus feet of the Lord. In the ecstasy of love, he began to dance and sing without cessation.
#/div#
#/div# |
#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_155"#TEXT 155#/span##/h4#
#div class="verse"#
#dl##dd#gopīnātha-caraṇe kaila bahu namaskāra#/dd#
#dd#premāveśe nṛtya-gīta karilā apāra#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gopīnātha&tab=syno_o&ds=1"#gopīnātha-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=caraṇe&tab=syno_o&ds=1"#caraṇe#/i# — at the lotus feet of Lord Gopīnātha; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kaila&tab=syno_o&ds=1"#kaila#/i# — made; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bahu&tab=syno_o&ds=1"#bahu#/i# — many; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=namaskāra&tab=syno_o&ds=1"#namaskāra#/i# — obeisances; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=prema&tab=syno_o&ds=1"#prema-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=āveśe&tab=syno_o&ds=1"#āveśe#/i# — in the ecstasy of love; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nṛtya&tab=syno_o&ds=1"#nṛtya-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gīta&tab=syno_o&ds=1"#gīta#/i# — dancing and chanting; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=karilā&tab=syno_o&ds=1"#karilā#/i# — performed; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=apāra&tab=syno_o&ds=1"#apāra#/i# — unlimitedly.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
When Mādhavendra Purī reached the temple of Gopīnātha, he offered his respectful obeisances many times at the lotus feet of the Lord. In the ecstasy of love, he began to dance and sing without cessation.
#/div#
#/div# |
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