 #div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_167"#TEXT 167#/span##/h4#
#div class="verse"#
#dl##dd#aṣṭa 'sāttvika', harṣādi 'vyabhicārī' yāṅra#/dd#
#dd#'sahaja prema', viṁśati 'bhāva'-alaṅkāra#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
aṣṭa—eight; sāttvika—transcendental symptoms; harṣa-ādi—like jubilation; vyabhicārī—distinctive features; yāṅra—of whose; sahaja prema—natural love; viṁśati—twenty; bhāva—of ecstasy; alaṅkāra—ornaments.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
"The transcendental ornaments of Śrīmatī Rādhārāṇī's body include the eight sāttvikas, or transcendental symptoms, the thirty-three vyabhicārībhāvas, beginning with harṣa, or jubilation in natural love, and the twenty bhāvas, or ecstatic emotional ornaments.
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
The thirty-three vyabhicārī-bhāvas, bodily symptoms manifest in ecstatic love, are as follows: (1) nirveda, indifference; (2) viṣāda, moroseness; (3) dainya, meekness; (4) glāni, a feeling that one is in a faulty position; (5) śrama, fatigue; (6) mada, madness; (7) garva, pride; (8) śaṅkā, doubt; (9) trāsa, shock; (10) āvega, intense emotion; (11) unmāda, craziness; (12) apasmāra, forgetfulness; (13) vyādhi, disease; (14) moha, bewilderment; (15) mṛti, death; (16) ālasya, laziness; (17) jāḍya, invalidity; (18) vrīḍā, shame; (19) avahitthā, concealment; (20) smṛti, remembrance; (21) vitarka, argument; (22) cintā, contemplation; (23) mati, attention; (24) dhṛti, forbearance; (25) harṣa, jubilation; (26) autsukya, eagerness; (27) augrya, violence; (28) amarṣa, anger; (29) asūyā, jealousy; (30) cāpalya, impudence; (31) nidrā, sleep; (32) supti, deep sleep and (33) prabodha, awakening.
#/div#
#/div# |
#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_167"#TEXT 167#/span##/h4#
#div class="verse"#
#dl##dd#aṣṭa ‘sāttvika’, harṣādi ‘vyabhicārī’ yāṅra#/dd#
#dd#‘sahaja prema’, viṁśati ‘bhāva’-alaṅkāra#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i#aṣṭa#/i#—eight; #i#sāttvika#/i#—transcendental symptoms; #i#harṣa-ādi#/i#—like jubilation; #i#vyabhicārī—#/i#distinctive features; #i#yāṅra#/i#—of whose; #i#sahaja prema#/i#—natural love; #i#viṁśati#/i#—twenty; #i#bhāva#/i#—of ecstasy; #i#alaṅkāra#/i#—ornaments.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
“The transcendental ornaments of Śrīmatī Rādhārāṇī’s body include the eight sāttvikas, or transcendental symptoms, the thirty-three vyabhicārī-bhāvas, beginning with harṣa, or jubilation in natural love, and the twenty bhāvas, or ecstatic emotional ornaments.
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
The thirty-three #i#vyabhicārī-bhāvas#/i#, bodily symptoms manifest in ecstatic love, are as follows: (1) #i#nirveda#/i#, indifference; (2) #i#viṣāda#/i#, moroseness; (3) #i#dainya#/i#, meekness; (4) #i#glāni#/i#, a feeling that one is in a faulty position; (5) #i#śrama#/i#, fatigue; (6) #i#mada#/i#, madness; (7) #i#garva#/i#, pride; (8) #i#śaṅkā#/i#, doubt; (9) #i#trāsa#/i#, shock; (10) #i#āvega#/i#, intense emotion; (11) #i#unmāda#/i#, craziness; (12) #i#apasmāra#/i#, forgetfulness; (13) #i#vyādhi#/i#, disease; (14) #i#moha#/i#, bewilderment; (15) #i#mṛti,#/i# death; (16) #i#ālasya#/i#, laziness; (17) #i#jāḍya#/i#, invalidity; (18) #i#vrīḍā#/i#, shame; (19) #i#avahitthā#/i#, concealment; (20) #i#smṛti#/i#, remembrance; (21) #i#vitarka#/i#, argument; (22) #i#cintā#/i#, contemplation; (23) #i#mati#/i#, attention; (24) #i#dhṛti#/i#, forbearance; (25) #i#harṣa#/i#, jubilation; (26) #i#autsukya#/i#, eagerness; (27) #i#augrya#/i#, violence; (28) #i#amarṣa#/i#, anger; (29) #i#asūyā#/i#, jealousy; (30) #i#cāpalya#/i#, impudence; (31) #i#nidrā#/i#, sleep; (32) #i#supti#/i#, deep sleep, and (33) #i#prabodha#/i#, awakening.
#/div#
#/div# |
Compare previous verse
|
Compare next verse 