 #div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_200"#TEXT 200#/span##/h4#
#div class="verse"#
#dl##dd#sei haite jihvā mora bale 'hari' 'hari'#/dd#
#dd#icchā nāhi, tabu bale,--ki upāya kari#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
sei haite—from that time; jihvā—tongue; mora—my; bale—says; hari hari—the vibration "Hari, Hari"; icchā—desire; nāhi—there is none; tabu—still; bale—says; ki—what; upāya—means; kari—I may do.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
" 'Since that time, my tongue also always vibrates the sound "Hari, Hari." I have no desire to say it, but still my tongue says it. I do not know what to do.'
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Sometimes demoniac nonbelievers, not understanding the potency of the holy name, make fun of the Vaiṣṇavas when the Vaiṣṇavas chant the Hare Kṛṣṇa mahā-mantra. This joking is also beneficial for such persons. Śrīmad-Bhāgavatam, Sixth Canto, Second Chapter, verse 14, indicates that the chanting of the Hare Kṛṣṇa mahā-mantra, even in joking, in the course of ordinary discussion, in indicating something extraneous, or in negligence, is called nāmābhāsa, which is chanting that is almost on the transcendental stage. This nāmābhāsa stage is better than nāmāparādha. Nāmābhāsa awakens the supreme remembrance of Lord Viṣṇu. When one remembers Lord Viṣṇu, he becomes free from material enjoyment. Thus he gradually comes forward toward the transcendental service of the Lord and becomes eligible to chant the holy name of the Lord in the transcendental position.
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#/div# |
#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_200"#TEXT 200#/span##/h4#
#div class="verse"#
#dl##dd#sei haite jihvā mora bale ‘hari’ ‘hari’#/dd#
#dd#icchā nāhi, tabu bale,—ki upāya kari#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sei&tab=syno_o&ds=1"#sei #a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=haite&tab=syno_o&ds=1"#haite#/i# — from that time; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=jihvā&tab=syno_o&ds=1"#jihvā#/i# — tongue; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mora&tab=syno_o&ds=1"#mora#/i# — my; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bale&tab=syno_o&ds=1"#bale#/i# — says; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=hari&tab=syno_o&ds=1"#hari #a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=hari&tab=syno_o&ds=1"#hari#/i# — the vibration “Hari, Hari”; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=icchā&tab=syno_o&ds=1"#icchā#/i# — desire; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nāhi&tab=syno_o&ds=1"#nāhi#/i# — there is none; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tabu&tab=syno_o&ds=1"#tabu#/i# — still; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bale&tab=syno_o&ds=1"#bale#/i# — says; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ki&tab=syno_o&ds=1"#ki#/i# — what; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=upāya&tab=syno_o&ds=1"#upāya#/i# — means; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kari&tab=syno_o&ds=1"#kari#/i# — I may do.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
“‘Since that time, my tongue also always vibrates the sound “Hari, Hari.” I have no desire to say it, but still my tongue says it. I do not know what to do.’
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Sometimes demoniac nonbelievers, not understanding the potency of the holy name, make fun of the Vaiṣṇavas when the Vaiṣṇavas chant the Hare Kṛṣṇa #i#mahā-mantra#/i#. This joking is also beneficial for such persons. #i#Śrīmad-Bhāgavatam#/i#, Sixth Canto, Second Chapter, verse 14, indicates that the chanting of the Hare Kṛṣṇa #i#mahā-mantra#/i#, even in joking, in the course of ordinary discussion, in indicating something extraneous, or in negligence, is called #i#nāmābhāsa#/i#, which is chanting that is almost on the transcendental stage. This #i#nāmābhāsa#/i# stage is better than #i#nāmāparādha. Nāmābhāsa#/i# awakens the supreme remembrance of Lord Viṣṇu. When one remembers Lord Viṣṇu, he becomes free from material enjoyment. Thus he gradually comes forward toward the transcendental service of the Lord and becomes eligible to chant the holy name of the Lord in the transcendental position.
#/div#
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